Expectations are high for Kid Sister, whose kid brother is Flosstradamus half Josh “J2K” Young. This young (Young) Chicago rapper teamed with A-Trak for last year’s “Damn Girl”, and she also played something called the Pitchfork Music Festival. “Control” is the A-side of her new 12″ on Fool’s Gold, the label founded by Kanye West-approved turntablist A-Trak and New York DJ Nick Catchdubs, where you’ll also find fellow Chicago MCs Cool Kids. Spank Rock’s XXXChange supports Kid Sister with frantic handclaps and buzzing synths on this boisterous club-rap track, which shows off her animated flow and energetic wordplay. “South Sider, that’s why I say more,” Kid Sister says, and then says a whole lot more. From her Chitown boasts to XXXChange’s playful scratching, it’s summer fun right on schedule. Kid Sister’s MySpace page also features a collaboration with West himself.
“Frantic handclaps and buzzing synths” wouldn’t have been our choice of words, but…WE HEARTILLY ENDORSE THIS PRODUCT AND/OR EVENT.
Rising: The Cool Kids: “I Rock” and “’88” [Stream]How does repetition become invention? Because for all of their old-school tropes (EPMD-style photos; Eric B.-style gold ropes; big, goofy sneakers), the Cool Kids somehow avoid sounding old. The Chicago duo’s beats are simple and their flows are slow, methodical, and clearly enunciated. But their simplicity is exciting because of its nuance.
For instance, “’88” consists mostly of big, echoey drums and occasional guitar stabs, but it repeatedly threatens to become a different song with brief tweaks of the backing track. The same goes for “I Rock”– formerly known as “Mikey Rocks”– which features plenty of panning and electro sounds in the spaces between its spare, trunk-rattling beat.
The Cool Kids rap with the same nuanced simplicity. Clever punch lines reveal themselves as palindromes of vowel sounds– 19-year-old MC Mikey says “The side of my dome is a zone you could never find” in “I Rock”– and a declaration like “The concept of rocking shows is so old” is as thought-provoking as it is irreverent.But nuance can be imperceptible without something more immediate accompanying it, and sometimes the Cool Kids just want to “kick it like kickstands.” That kind of goofiness is another thing that sets them apart from the rest of the current rap pack, indie or mainstream. With their head-nod-inspiring boom-bap beats and clever lyrics in common language, maybe they’re just “bringing ’88 back.” But something about it feels like the future.